Monday, April 13, 2026

The Kambojas

 

The Kambojas

The Kambojas were ancient people who lived on the crossroads of Central and South Asia. They are a fascinating group to study because their identity straddles the line between the Iranian and Indian worlds.

Scholars largely agree they were an **Iranian people** living in the borderlands of modern-day Afghanistan, Tajikistan, and Uzbekistan, who were deeply influenced by the Indian cultural sphere.

Where They Lived: The Kamboja Mahajanapada

Their homeland was the kingdom of **Kamboja**, one of the sixteen **Mahajanapadas** (great kingdoms) of Iron Age India, which flourished between the 6th and 4th centuries BCE. It was located in the **Uttarapatha** (northern division) of the Indian subcontinent, in the extreme northwest, bordering the kingdom of Gandhara. Its territory stretched from the **Hindu Kush mountains** into Central Asia, including parts of modern-day **Afghanistan, Tajikistan, and Uzbekistan**. The capital of Kamboja was **Rajapura** (modern-day Rajauri in Kashmir).

Who They Were: A Unique Indo-Iranian Culture

The Kambojas' mixed identity is reflected in their culture, language, and religious practices.

Indo-Iranian Origins: The ancient Kambojas were likely of **Indo-Iranian** origin. While some sources describe them as Indo-Aryans, most scholars now agree they were an **Iranian people**, closely related to groups like the Indo-Scythians.

Iranian Language: Linguistic evidence shows they spoke an **Iranian language**, similar to **Younger Avestan** (the language of the Zoroastrian holy texts).

Zoroastrian Religion: Unlike the Vedic religion of most Indian kingdoms, the Kambojas were adherents of **Zoroastrianism**. A unique piece of evidence is their belief in the religious duty to kill certain "harmful" animals like insects, snakes, and frogs—a practice specifically prescribed in the Avestan Vendidad.

Kshatriya Status: In the Indian social framework, they were considered a **Kshatriya tribe** (the warrior and ruler class). However, later texts like the Manusmriti suggest that by neglecting Vedic rites, they fell to the status of Shudras.

Warrior Reputation: The Kambojas were famous in ancient literature for their skill in warfare, particularly as **horsemen and cavalry**.

The Kambojas in History and Literature

The Kambojas come from a wide range of ancient texts.

Sanskrit and Pali Literature: They are frequently mentioned in post-Vedic Sanskrit and Pali literature, including the **Mahabharata**, **Ramayana**, **Puranas**, Buddhist **Jatakas**, and the **Arthashastra**. The Mahabharata mentions a Kamboja king named Chandravarma.

Ashoka's Edicts: The first precisely dated reference to the Kambojas comes from the Major Rock Edicts of the Mauryan emperor **Ashoka** (r. 268–232 BCE). These edicts mention the Kambojas living on the border of the Mauryan Empire.

Grammarians: Ancient Indian grammarians like **Yāska** (c. 5th century BCE) and **Patañjali** (2nd century BCE) noted a distinctive feature of the Kamboja language. For example, they used the verb "śavati" for "to go," a word not found in standard Sanskrit.

Later Migrations and Influence

After the Mauryan Empire declined, the Kambojas, often allied with other Central Asian groups like the Sakas (Scythians), Yavanas (Greeks), and Pahlavas (Parthians), began migrating into the Indian subcontinent.

They established a dynasty known as the **Kamboja-Pala dynasty** that ruled parts of **Bengal** in the 10th and 11th centuries CE.

Their name is also believed to be the source for the name of the country of **Cambodia**, as Kambuja is the ancient Sanskrit name for the region.

The modern **Kamboj or **Kamboh** community, primarily found in the greater Punjab region, is considered by many scholars to be a descendant of the ancient Kambojas.

In summary, the Kambojas were a powerful Iranian people on the fringes of ancient India. Their unique culture blended Iranian and Indian elements, and their legacy as skilled warriors and far-ranging migrants connects the histories of Central Asia, the Indian subcontinent, and even Southeast Asia.

General Sudakshina of the Kambojas was invited by Duryodhana, the Kuru king of Hastinapura, to help him in the Mahabharata war against the Pandavas. Sudakshina Kamboj came to his side with an Akshauhini powerful army of ferocious Central Asian warriors, which also included the Shakas and Yavanas, besides the Kambojas. Of the ten distinguished Generals appointed by Duryodhana to efficiently manage his vast host of army, Sudakshina Kamboja was one such distinguished General.

The Kambojas had been famous throughout all periods of history for their excellent breed of horses as well as famous horsemen or cavalry troopers. They repeatedly appear in the characteristic Iranian roles of splendid horsemen and breeders of notable horses. The epic, the Puranic and numerous other ancient literature profusely attest the Kambojas among the finest horsemen. They were constituted into Military Sanghas and Corporations to manage their political affairs, as Kautiliya and Mahabharata amply attest for us. They are also attested to have been living as Ayuddha-jivi or Shastr-opajivis, which means that the Kamboja cavalry offered their military services to other nations as well. There are numerous references to Kambojas being requistioned as cavalry troopers in ancient wars by outside nations.

Alexander's conflict with the Kambojas was one of the most fiercely contested and brutal episodes of his Indian campaign (327–326 BCE). This wasn't a single battle but a series of grueling mountain sieges and encounters. The Kambojas, known as the **Ashvakas** ("horse-people") to Indian sources and **Aspasioi** and **Assakenoi** to the Greeks, were famed for their horsemanship and martial culture. Their refusal to submit led to a campaign marked by exceptional bravery on both sides, horrific violence by Alexander's army, and the legendary involvement of Kamboja women warriors.

The Opposing Forces: The Ashvayana and Ashvakayana Clans

The Kamboja resistance was primarily led by two related clans:

The Aspasioi (Ashvayanas): Located in the **Kunar and Panjkora river valleys**, they were the first to engage Alexander's forces. They fought with great tenacity, reportedly losing **40,000 captured** as slaves.

The Assakenoi (Ashvakayanas): Inhabiting the strategic **Swat and Buner valleys**, they possessed formidable strongholds like **Massaga, Ora, Bazira, and Aornos**. They fielded a massive army of **30,000 cavalry, 38,000 infantry, and 30 war elephants**.

A Chronicle of Brutal Sieges:

Alexander personally led the campaign against these clans, who offered "stubborn resistance in all of their mountainous strongholds". The fighting was savage and defined by several key sieges:

The Siege of Massaga: This was the campaign's most critical and bloodiest battle. After their commander fell, his mother, Queen **Cleophis**, took supreme command and rallied the defenders, with local women also joining the fight. Alexander only captured the fortress through a "political stratagem and actions of betrayal". In a brutal act of retribution, he **slaughtered the entire population** and razed the city to the ground.

The Fall of Ora and Bazira: Following Massaga's destruction, Alexander's forces committed similar massacres at the nearby stronghold of **Ora**. The inhabitants of **Bazira**, seeing the fate of their neighbors, were forced to abandon their city and flee to the rock fortress of Aornos.

The Siege of Aornos: This legendary siege was the campaign's final act. Kamboja holdouts gathered at Aornos, a near-impregnable mountain fortress. The siege became a personal challenge for Alexander, who was determined to take a fortress that even the mythical hero Heracles had failed to conquer. His engineers built an earth ramp up the sheer cliffs, allowing his army to take the strategic position.

The Warrior Women of the Kambojas

A unique and remarkable aspect of this conflict was the active participation of Kamboja women. The courage of the Ashvakayana Kamboj women was legendary. Taking up arms beside their husbands, they famously preferred **"a glorious death to a life of dishonor"**. Queen **Cleophis** stands as the most powerful symbol of this resistance, a leader who chose to fight rather than surrender her homeland.

The Aftermath of a Conquered Land

The Kambojas were ultimately defeated, and Alexander's conquest brought a violent end to their independence. The conflict was a "war of annihilation" for these clans, and its brutality served as a terrifying warning to others. With their homeland subdued, Alexander was able to secure his supply lines and advance deeper into the Punjab, leading to his famous battle with King Porus.

In the end, Alexander's victory came at a great cost, but the fierce resistance of the Kambojas cemented their reputation as one of the most courageous peoples he ever faced. This conflict remains a testament to their martial valour and a vivid illustration of the brutal realities of ancient warfare.

Kamboj-or Chhimba are variously described as a caste, community or a Sikh clan of India.[1]

Their traditional occupation in the Samba district of India was dying and hand-printing calico fabric. It was probably some of these people who moved to areas of Himachal Pradesh, where they created a somewhat different style of printing cloth that was much favoured by the Gaddi people of the region.[2][3]

The Kambojas were a southeastern Iranian people living on the northeastern edge of Iranian territories, bordering India. They are known only from Indo-Aryan sources, first appearing in the late Vedic period. Their language was close to Younger Avestan, and they practiced Zoroastrianism, including the ritual killing of small animals as prescribed in the Avestan *Vendidad*.

The earliest attestation of the name comes from the *Naighaṇṭukas* and Yāska’s *Nirukta*, which notes that the verb *śavati* (‘goes’) was used only by the Kambojas. This form matches Younger Avestan phonetics, confirming their Iranian linguistic affiliation. The word was known to grammarians by about 500 BCE.

Ashoka’s Great Rock Edicts (mid-3rd century BCE) mention the Kambojas alongside Greeks and Gandharians as border peoples of the Mauryan Empire. Benveniste argued that the Iranian language in the Aramaic version of Ashoka’s Kandahar inscriptions was Kambojan. Greek-Kamboja pairings also appear in the *Mahābhārata*. In Buddhist and Sanskrit texts, the Kambojas are listed among the sixteen great peoples of ancient India. They shaved their heads, had kings, and were famous horse breeders; their horses were prized for warfare and were imported to India.

The *Jataka* describes them as “non-Aryan” with strange customs, notably killing small animals for religious reasons—a practice linked to the Avestan *Vīdēvdād* and Zoroastrian *magi*. Ashoka’s term for “good obedience” in the Kandahar bilingual also shows Mazdayasnian vocabulary.

Fussman proposed that two rock inscriptions from Dašt-e Nāwor (in a Kharoṣṭhī-derived script) are in a local Iranian language, possibly Kambojan (“Kambōjī”), which would place the Kambojas in the mountains around Ghazni and the upper Arḡandāb. Another hypothesis connects *Kamboja* to the name Cambyses, meaning “ruler of the Kambojas,” and historical unlikeliness before Cyrus II.

Bibliography

1.        Singh, Joginder (2014). "Sikhs In Independent India". In Singh, Pashaura; Fenech, Louis E. (eds.). The Oxford Handbook of Sikh Studies. Oxford University Press.  ISBN 978-0-19100-411-7.

2.        Hāṇḍā, Omacanda (1998). Textiles, Costumes, and Ornaments of the Western Himalaya. Indus Publishing.

3.        Fenech, Louis E.; McLeod, W. H. (2014). Historical Dictionary of Sikhism (3rd ed.). Rowman & Littlefield. p. 82. ISBN 978-1-44223-601-1.

4.    4.   G. A. Grierson, “The Language of the Kambojas,” JRAS.

5.    5.   B. Ch. Law, Tribes in Ancient India, 2nd ed., Poona, 1973

6.     6.  https://en.wikipedia.org/wiki/Chhimba.

7.      7. M. Witzel, “Early Eastern Iran and the Atharvaveda,” Persica 9, 1980

8.      8. É. Benveniste, “Une bilingue gréco-araméenne d’Asoka. IV. Les données iraniennes,” JA 246, 1958.

9.     9.  Boyce and Grenet, Zoroastrianism.

10.   10. J. Charpentier, “Der Name Kambyses (Kanbūǰiya),“ ZII 2, 1923

11.  11.  G. Fussman, “Documents épigraphiques kouchans,” Bulletin de l’École Française d’Extrême-Orient 61, 1974

12.     Schmitt 2021.

13.     Sharma 2007

14.     Boyce & Grenet 1991

15.     Lamotte 1988, p. 100.

16.     Boyce & Grenet 1991

17.     Caudhurī 1967

18.     Bopearachchi 2025

19.     Strand, Richard (2022). "Kamboǰas and Sakas in the Holly-Oak Mountains: On the Origins of the Nûristânîs" (PDF). Nuristan: Hidden Land of the Hindu Kush.

20.     Bailey 1971

21.     Boyce & Grenet 1991

22.     Boyce & Grenet 1991

 

Saturday, April 11, 2026

O Murli Dhar

 

O Murli Dhar

Who broke my cottage, my moonlit nest?

Who tore my twigs that I loved the best?

O Murli Dhar, is this Thy way?

Is this Thy blessing, this strange display?)

 

Who bore this malice, this envy inside?

Who tore my hut on Jhelum’s side?

My debris of twigs, my kangri’s glow—

Who left me with tears in the Vitasta’s flow?

Dead-tired Sudama reached home that night,

In his eyes, Dal Lake’s tears took flight.

“Who is this king in my weak old frame?

Whose shadow of grace has written my name?”

 

Where is my family? Where did they go?

Why do I stand alone where saffrons grow?

Hunger and thirst on my lips still lie,

Where is my Susheela, beneath this sky?

 

Where have these flowers, these blossoms, come?

Where has this green field, this meadow, sprung?

What wondrous field from Thy hands now streams,

What grace has fulfilled my autumn dreams?

Sham Misri

An old student Nancy and teacher Sham Ji

 Sham JI reminds Nancy with a joke-

Two famous scientists, Heisenberg and Schrödinger, are driving in a car. A police officer pulls them over for speeding.

The officer asks Heisenberg, "Do you know how fast you were going?"
Heisenberg says, "No, but we know exactly where we are!"

Confused, the officer says, "Well, you were going 200 kilometres an hour!"
Heisenberg throws his arms up and shouts, "Great! Now we have no idea where we are!"

The officer gets suspicious and looks at the car. He asks Schrödinger, "What do you have in the trunk?"
Schrödinger answers, "A cat."

The officer opens the trunk and yells, "Hey! This cat is dead."
Schrödinger gets angry and replies,
"Well, he is now!"

Well, when I had posted this joke on my blogs, you, as a critic, had said, "Well, he is now!"

What did it mean?

I took it easy that time, thinking it was useless to explain everything to this unknown ‘CRITIC.’

Now that the Critic is known as Nancy, my old student, let me explain, "Well, he is now!"

Dear Nancy, That’s a great question. That line is the punchline of the joke, and to get it, you must know a little bit about the scientist Schrödinger.

He's famous for a thought experiment called "Schrödinger's Cat." Here’s the simple idea:

He imagined a cat in a sealed box with a poisonous gas that might or might not be released. Until you open the box to check, the cat is thought of as both alive and dead at the same time.

So, back to the joke:

1.     Before the officer opened the trunk, according to Schrödinger's famous idea, the cat was both alive and dead.

2.     The officer opened the trunk and saw that the cat was dead.

3.     Schrödinger gets angry and says, "Well, he is now!"

He's blaming the officer! He's saying that the act of opening the trunk and looking is what actually made the cat dead. Before the officer opened it, the cat was in that strange "both" state.

The Joke continues-

And, when I had written-"Heisenberg and Schrödinger Walk into a Traffic Stop"

 

You Critic, now my student Nancy had written: Please explain in simple English the meaning of. "Heisenberg and Schrödinger Walk into a Traffic Stop"

 

Well, it sets up the main punchline.

Here is the meaning of that title in simple English:

That title tells you what the joke will be about, but it also uses a smart play on words to get you ready to laugh.

Let's break it down:

  • "Heisenberg and Schrödinger" : These are the names of the two famous scientists in the joke. If you know who they are, you already have a clue that the joke will be about their famous ideas.
  • "Walk Into a Traffic Stop" : This is a twist on the classic "walk into a bar" joke setup (like "A guy walks into a bar..."). It tells you the two scientists are the main characters and that the situation will be them getting pulled over by a police officer.

So, the title means: "Here is a joke starring Heisenberg and Schrödinger, and the funny situation is a traffic stop."

But why is it a "punchline"?

The title is clever because it combines the two scientists' most famous ideas into one sentence:

  1. The Heisenberg part: Heisenberg is known for the "Uncertainty Principle." It's a complex idea, but it basically means you can't know both the exact speed and the exact position of a tiny particle at the same time.
  2. The Schrödinger part: Schrödinger is known for "Schrödinger's Cat." This is the idea that a cat in a box could be thought of as both alive and dead at the same time until you open the box to check.

By putting their names in a title about a traffic stop, the joke is already hinting at the funny mix-up:

  • The traffic stop will involve Heisenberg getting confused about his speed and position.
  • The traffic stop will involve a cat in the trunk that is in a strange, alive-and-dead state.

So, the title sets you up to see how these two scientific ideas will get hilariously mixed up with a regular, everyday situation like getting a speeding ticket.

Sham Ji, how nicely you have explained. Though I am mature now, and aged as well, you have cleared all my doubts in my advanced age. Thank you. I love you.

Hello, Nancy, the Great Critic! Welcome back. It is always a pleasure to be summoned by you. And what a delightful memory to revisit. Here is Sham, who tries to give it the humour it deserves, shall we? Here is a touch of levity.

Sunday, April 5, 2026

Krishna

A Poem

Krishna

He is the lord of love and grace,
Protection found in his embrace.
An avatar, divine and deep,
The shepherd-heart all hearts shall keep.

In late August or early fall,
His birth devotees all recall—
Janmashtami's sacred rite,
By lunisolar silver light.

His life, a Līlā, tales retold,
Of prankster young, of hero bold.
In the Mahabharata's great war,
He speaks as Gita's guiding star.

A child who steals the butter sweet,
A flute that makes the gopis fleet,
With Radha by the moonlit grove,
Or charioteer in wisdom's trove.

His names are dark as monsoon sky—
Krishna, the black, the blue, the shy.
Yet Govinda, Gopala, call him friend,
The soul's protector without end.

From Vrindavan to Dwarka's shore,
In Jagannath, he lives once more.
In dance—Bharatanatyam's grace,
Odissi, Kathakali trace.

A hero-god of Vrishni clan,
With Vasudeva, Krishna ran.
Through centuries, the streams converged,
And Vishnu's form within him emerged.

On ancient coins, his symbols show—
The conch, the wheel, the mace, the plow.
A fragment carved in Mathura's stone
Shows baby Krishna carried home.

Now Westward too his worship spread,
Where ISKCON's saffron flags are spread.
All names, all forms, in him reside—
The dark-eyed one, the heart's true guide.

 Sham Misri


 Krishna

Krishna (Sanskrit: Kṛṣṇa) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and is regarded as the god of protection, compassion, tenderness, and love.

His birthday is celebrated annually by Hindus on Krishna Janmashtami, according to the lunisolar Hindu calendar, which typically falls in late August or early September on the Gregorian calendar.

The anecdotes and narratives of Krishna's life are collectively known as Krishna Līlā. He is a central figure in the Mahabharata and the Bhagavad Gita.

Hindus view Krishna in various aspects: as a godchild, a prankster, a model lover, a divine hero, and the universal supreme being. His iconography depicts him at different stages of life—such as an infant eating butter, a young boy playing a flute, a handsome youth with Radha or surrounded by female devotees, or a friendly charioteer offering counsel to Arjuna.

The name and synonyms of Krishna have been traced to literature and cults from the 1st millennium BCE. Krishna-related literature has also inspired numerous performance arts, including Bharatanatyam, Kathakali, Odissi, and Manipuri dance.

He is revered in Vrindavan (Uttar Pradesh), Dwarka and Junagadh (Gujarat); in his form as Jagannatha in Odisha; and in Mayapur (West Bengal). Since the 1960s, the worship of Krishna has spread to the Western world, largely through the efforts of the International Society for Krishna Consciousness (ISKCON).

Name and Etymology

The name "Krishna" derives from the Sanskrit word kṛṣṇa, meaning "black," "dark," or "dark blue." The waning moon is called Krishna Paksha, relating to the adjective meaning "darkening." While some Vaishnava traditions interpret the name as "All-Attractive," this meaning is not found in Sanskrit.

Krishna is often depicted in idols with black or blue skin. He is also known by numerous other names and titles reflecting his many attributes. Among the most common are Mohan ("enchanter"), Govinda, and Gopala ("Protector of the Go," where go can mean "soul" or "cows"). Some names hold regional significance; Jagannatha, a popular form of Krishna enshrined in the Puri temple, is especially venerated in Odisha and neighbouring regions of eastern India.

Origins and Historical Development

The tradition of Krishna appears to be an amalgamation of several independent deities from ancient India. The earliest attested is Vāsudeva, a hero-god of the Vrishni tribe, whose worship is documented from the 5th–6th century BCE in the writings of Pāṇini and from the 2nd century BCE in the Heliodorus pillar inscription.

It is believed that the Vrishnis later merged with the Yadavas, whose own hero-god was named Krishna. Vāsudeva and Krishna subsequently fused into a single deity, as reflected in the Mahabharata, where they also became identified with Vishnu. Around the 4th century CE, another tradition, the cult of Gopala-Krishna (the protector of cattle) associated with the Ābhīras—was absorbed into the evolving Krishna tradition.

Early Depictions and Iconography

Around 180 BCE, coins discovered in Afghanistan bear images now interpreted as early Vaishnava iconography. These coins depict Saṃkarṣaṇa-Balarama with attributes such as the gada (mace) and plough, alongside Vāsudeva-Krishna with the shankha (conch) and sudarshana chakra (discus).

The first known depiction of a scene from Krishna's life appears relatively late, on a relief from Mathura dated to the 1st–2nd century CE. This fragment likely shows Vasudeva, Krishna’s father, carrying the infant Krishna in a basket across the Yamuna River. The relief features a seven-hooded naga crossing the river alongside a thrashing makara (crocodile), while at the other end, a figure appears to hold a basket over his head.

 Depiction in coinage (2nd century BCE)

Vasudeva-Krishna, on a coin of Agathocles of Bactria, c. 180 BCE.  This is "the earliest unambiguous image" of the deity.