The Magnificent and Splendid shawls of Kashmir
The
shoulder mantle of the shawl has been in existence in a variety of forms from
the most ancient times serving as a staple and protective garment not only for the
rich and noble but also and above all for the common people.
The
shawl industry in Kashmir is very old. It is stated to have flourished in the
days of the Kurus and Pandus. It was a prosperous industry in the days of the
Roman Empire when the proudest beauties at the court of the Caesars wore
Kashmiri shawls. In the Asoka's time, we find the shawl mentioned in Buddhistic
work as the Kashmiri shawl. But after that for a long period, this art was
dead.
In
ancient Buddhist literature, the shawl can be found among recorded inventories
of woollen textiles and its manufacture appears to have been a cottage industry
in Kashmir as early as the eighteenth century.
In
the 14th century, a Persian saint named Syed Ali Hamadani visited Kashmir along
with some experts of handicrafts. It is they who re-establish this precious art
with new techniques. Later, the emperor of Kashmir Sultan Bud Shah played a
vital role in the promotion of this art during his regime. He brought many
experts from Central Asia to introduce modern techniques in the field of
handicrafts.
Shawls
in the Valley are produced by two techniques woven or Kani shawls, and needle
embroidered or Sozni shawls. The price of each piece varies from Rupees 30,000
to Rupees 2 lakh.
Over
the centuries, the very word cashmere has become identified with shawls made in
Kashmir, and the Kani shawls are Kashmir's best cashmere.
Kashmiri
shawls are produced by two techniques.
I.
woven or Kani shawls, and
II.
needle embroidered or Sozni
shawls.
I.
Kani loom-woven shawls
are also called tiliwala, tilikar or kani kar, sometimes woven in one piece,
but mostly woven in small segments which are then sewn together with high
precision and fineness.
A
written account of Kani shawls comes from the Rajatarangini of Srivara, a 15th-century
Kashmiri text, that discusses woollen fabric with fine woven designs. The Ain I
–Akbari, an account from the Mughal period in Kashmir (1586-1752, states that
Emperor Akbar was a keen collector of Kani shawls. The labour necessary to produce
a Kani shawl, as for the Sozni shawl of the same size, is almost five times,
and naturally, the price also is five times.
Kani
shawls are woven into intricate patterns using a technique in which the weavers
throw the weft across, and then the design is decided based on which the
different coloured threads are woven in.
Kani
is the Kashmiri name given to a wooden spool, which works most while weaving a
shawl on the loom. Weaving is meticulously regulated by a coded pattern known
as Talim drawn by the Naqash for the guidance
of the weaver.
Kanihama,
a village in the western part of Kashmir, has monopolised the weaving and trade
of Kani shawls. The craft had died during the early decade of the century but
got revived by the government and by private concerns in a small way. There are about 300 looms operative in Kanihama,
doing their best to keep the traditions alive.
Artisans
of tremendous skill and patience go to the loom and create marvellous of Kani shawls.
An unbelievable amount of concentration
is required for weaving just an inch of this shawl. An artisan cannot weave
beyond an inch a day while being at the loom. The shawl is oblong in shape. generally,
remains in 1x2 metres in size. Two craftsmen can complete a shawl within two to
three years, and in some cases the period of weaving even stretches to five
long years, depending entirely on designs.
II.
Sozni embroidered shawls
are also called as Amlikar. In these shawls, elaborate patterns
are created by working on the root of the plain pashmina with the help of a
needle.
The
design of the Amalikar is worked in almost invisible stitches covering the
whole ground in an elaborate pattern. The production of an Amalikar shawl may
involve a year's labour and be sufficient to make a fine choga. Said Baba,
Alias and Ali Baba invented this later in the time of Azad Khan, the Afghan governor
of Kashmir from 1783 to 1785. A.D. Kani or loom-woven shawl woven in small
segments which are sewn together with such precision and neatness that the
sewing is quite gradual.
The
prettiest Kashmiri shawls are produced by three methods: by embroidering upon
plain foundation cloth; by weaving a pattern as an integral part of the
foundation cloth; and subsequently enhancing and decorating it with embroidery.
According
to Frank Ames, author of The Kashmir Shawls, the definitive book on the
subject, in 1853, one Kani shawl ordered by the Empress of France took 30 men approximately
nine months to complete. Only in 2006, the Government of India was able to get
the geographical identity (Gl) for the Kani shawls, so that no other country,
not even any other state of India, could produce these exquisite shawls.
It
was fiercely contested by Pakistan, which claimed that it also produces genuine
Kani shawls in its portion of occupied Kashmir.
There
are many varieties of exquisite Kani shawls, like the dorukha,
double sided shawl. The right side of it cannot be easily distinguished from
the wrong side.
There
are also doranga - dorukha, which are double-sided and in two
colours, the design on one side being reproduced in another colour on the other
side. The finest variety of all, however, as the aksi reflection, in which the designer is produced on one side by
splitting the warp thread into half, leaving the other side plain or
embroidered with another pattern.
The
Shawls made of Kelphamb:
The
beauty of the shawl depends as much on the brilliance and ability of its supreme
colours and the material of the shawl as one of the qualities of its workmanship.
The shawl is made of fine, soft, flossy, under fur called Tosh or Kelphamb or
pashm (fine wool) of the kel of goats also called the Himalayan ibex or the
Ladakhi goat. The best shawls are made from the very fine wool.
The
best shawls are made from the very fine wool underlying the long hairs of the
Tibetan goat, which are woven into a delicate material called pashmina in which
the shawl patterns are worked. This finest Pashm of the best quality is also
brought from Chinese Turkistan from the neighbourhood of Ush-Turfan.
According
to estimated trade figures, Kashmir produces Rs. 550 crores worth of shawls
every year. Out of this, Rs 150 crore worth are Kani shawls, employing 6,000
weavers, and Rs 400 crore worth are, Sozni shawls, employing as many as 83,000
artisans.
In
India, the price of a Kani shawl varies from Rs 30,000 to Rs 2 lakh. Depending
on the variety of the designs and material. There is so much faking of these
famous shawls in the metros of India that unless you buy from a reputed dealer,
you can be sold the imitation one. For international travellers, buying is
easy, as duty-free shops in all major international airports sell these famous
shawls with certificates of genuineness.
The
price of the shawl is also higher. The cost of a shawl depends on the fineness
of the shawl. The cost of quality shawls varies from the excess of Rs 50 lakh.
References:
The
Kashmiri Shawl /Dr. Syed Ali Raza.
The
Tribune Feb. 21, 2009.
The
Excelsior-
Majallah-e-Tahqiq
Vol 40, Sr. No. 114, January March 2019
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